Alim Beisembayev won First Prize at The Leeds International Piano Competition in September 2021, performing Rachmaninov’s Rhapsody on a Theme of Paganini with the Royal Liverpool Philharmonic Orchestra and Andrew Manze. He also took home the medici.tv Audience Prize and the Royal Liverpool Philharmonic Society Prize for contemporary performance, with The Guardian praising him as a “worthy winner” with a “real musical personality”.
Alim begins the 2021/22 season by performing with the Royal Liverpool Philharmonic (under Case Scaglione) and the BBC Symphony Orchestra (Clemens Schuldt); recitals at the Wigmore Hall, Southbank Centre, St George’s Bristol and Bath Mozart fest will follow, in addition to a tour of Europe, in association with the Steinway Prizewinner Concerts Network, and Korea, with the World Culture Network. His debut release with Warner Classics was released in September 2021 — an EP featuring Scarlatti, Ligeti and Ravel.
Born in Kazakhstan in 1998, Alim has already performed with the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, Moscow State Symphony and Fort-Worth Symphony, and at Royal Festival Hall and Wigmore Hall. During his time at the Purcell School he won several awards, including First Prize at the Junior Cliburn International Competition. Alim was taught by Tessa Nicholson at school and continued his studies with her at the Royal Academy of Music. He is currently completing his master’s degree at the Royal College of Music with Professor Vanessa Latarche. He is generously supported by numerous scholarships such as the ABRSM, the Countess of Munster, Hattori Foundation, the Drake Calleja Fund trusts, and belongs to the Talent Unlimited charity scheme.
LIGETI “Cordes a vides” and “L’escalier du diable »
RAVEL ”Oiseaux Tristes” and “Une Barque sur l’ocean” fromMiroirs
LISZT 12 Ètudes d’exécution transcendantes S.139
V. “Feux Follets”
VIII. “Wilde Jagd”
CHOPIN 24 Preludes
8.35pm - 9.20pm
Unreserved Seating – Seats are unreserved and you will need to choose your seat as you enter the venue. If you wish to sit together with people you have arrived with, we recommend arriving at doors open time to choose consecutive seats although we do not guarantee this is possible. Ushers may also ask you to move or condense your group to free up seating for other audience members to be seated.